This Tuesday’s audio flashback is the first symphony of Russian composer Nikolai Rimsky-Korsakov. Written in the composer’s late teens and early 20s, this symphony was an assignment from Rimsky’s composition teacher, and the second movement was written while he was at sea in the Russian navy. Some hailed the piece as “the first Russian symphony” due to its use of Russian folk melodies and avoidance of traditionally German compositional techniques. Read the concert notes, written by former TŌN harpist Emily Melendes, by clicking here.
This week we’re looking at the theme of heroism in music. We invite you to stream our performance of R. Strauss’ Ein Heldenleben (“A Hero’s Life”), a work in six movements which the composer (tongue planted firmly in cheek) said features “lots of horns—which is always a measure of heroism.” Read the concert notes, written by former TŌN violinist Sophia Bernitz, by clicking here.
This week we’re looking at theme of heroism in music. We invite you to stream our performance of Wagner’s Siegfried’s Rhine Journey from the opera Götterdämmerung or “Twilight of the Gods”, depicting the ride that our hero and his lover take along the mighty Rhine River. Read the concert notes, written by TŌN violist Leonardo Vásquez Chacón, by clicking here.
This Tuesday’s audio flashback is our 2018 performance of the First Symphony of African American composer William Grant Still, which he dubbed the Afro-American Symphony. Written in 1930, this was the first symphony by an African American composer to be performed by a major orchestra in the United States. Still said that in writing the piece, he sought to portray “the sons of the soil, who still retain so many of the traits peculiar to their African forebears.” You can read more of Still’s notes on the symphony by clicking here.
The Orchestra Now remains committed to the fight against racial injustice, and stands in solidarity with black communities.
We’re releasing a live concert recording every Tuesday, and today we offer Charles Ives‘ Decoration Day, based on the composer’s childhood memories of the Memorial Day celebrations in his hometown. Listen below and read the concert notes, written by former TŌN percussionist William Kaufman, by clicking here.
Starting today, we are thrilled to release a live concert recording from our archives every Tuesday! Today we offer the U.S. premiere of Lera Auerbach‘s Violin Concerto No. 3, De Profundis, performed with soloist Vadim Repin.
Make some time this weekend to enjoy the epic Ilya Muromets symphony of composer Reinhold Glière, who studied with Rimsky-Korsakov and taught Prokofiev. Muromets is a famous folk hero of ancient Kievan Rus’, and this massive, multi-movement tone poem follows his gripping story. Read all about it in the concert notes, written by TŌN flutist Denis Savelyev, by clicking here.
This performance was recorded live at the Fisher Center at Bard on December 12, 2018, conducted by TŌN music director Leon Botstein.
We wish we could be performing for you live right now, but in the meantime please enjoy this recording of our performance of Erich Wolfgang Korngold‘s Cello Concerto in C, performed with soloist Nicholas Canellakis at the Fisher Center at Bard as part of the Bard Music Festival on August 9, 2019.