“A student gave an introduction to each of the works on the program. All four were personable and well-spoken, particularly Weiqiao Wu. Mr. Wu introduced the highlight of the concert, world-renowned composer and conductor Tan Dun’s Violin Concerto: Rhapsody and Fantasia 2009. What might have been a somewhat knotty, impenetrable contemporary piece was made more accessible through Mr.Wu’s explanation.
The brilliant soloist Ms. Eldbjørg Hemsing brought the music to life, articulating each note with precision and richly dynamic expression. No mere walk in the park for the violinist, this highly rhythmic, complex work allowed each section of the orchestra to shine. The lovely, warm string sound was especially appealing. There was a large percussion battery that included Chinese gongs which bent the music into inimitable Eastern sounds. Mr. Dun’s direction of the orchestra was clearly defined and dynamic. The orchestral response was instantaneous, which meant that all eyes were not only on the music, but on Mr. Dun as well. For the listener, this piece was imaginative, engaging, and downright fun to experience.
The Rhapsody for Clarinet by Claude Debussy featured TŌN clarinet soloist Viktor Tóth. Mr. Tóth’s sensitive playing was at times somewhat melancholy and nostalgic. His ability to sustain long phrases on seemingly one breath without a lapse of pitch or support was astonishingly beautiful. At all times the orchestra provided a shimmering yet delicate background for the soloist.
The Miraculous Mandarin Suite by Hungarian composer Béla Bartók was the final work of the day. This ballet begins with an authoritative trombone solo and goes on to showcase all sections of the orchestra. There were several standout section soloists, which included the aforementioned trombone and some lovely oboe playing.” – Joanna Barouch
Photo by Patrick Arias